"Barefoot Truth is one of the more promising young roots rock bands on the indie circuit these days"
--ThisIsModern.net
Young and roots rock are the three defining words for Barefoot Truth. Their heartfelt, melodic songs are performed with a wide array of instruments including upright bass, lap steel guitar, congas, didgeridoo and lead harmonica.
Despite using classic folk instruments, Barefoot Truth is clearly a band of the 21st century. With each member still only 22 years old, Barefoot Truth is product of the download age and advocate spreading music through any medium possible, including file sharing. Recently, BFT launched www.freebft.com, a website dedicated to free downloads of their shows and studio albums.
As multi-instrumentalist Jay Driscoll puts it, "In this digital age, there is no reason not to provide easy and free access to our music. If people like it enough, we know they will come support us at our shows."
Few "neo-traditionalists" have dared to stray too far from the "traditionalist" part of that equation. Fans of the genre tend to be fervently purist. Boston-based band Oneside, however, isn't afraid to risk biting the hand that feeds it. Oneside's debut album, "First, To Last", is full of structures, lyrics, and licks that are unabashedly plucked from the traditional American canon. Songs like "Lisa" and "Got To Go" would sound perfectly at home on a Nickel Creek or Alison Krauss album. But right from "First, To Last's" foot-stomping, bluesy opening track "The Letter," which combines elements of bluegrass, rock, jazz, and even reggae, it is apparent that Oneside isn't afraid to make departures from traditional styles. Other songs would fit right in on a Sufjan Stevens or even a Radiohead album. Yet all of the songs are deftly written and produced to create a coherent, if unique and slightly irreverent, sound. Other bands may play strictly in a conventional roots style but what sets Oneside apart is their willingness to take these traditional fundamentals and place them firmly in a modern context.
The Sepia Tones are a recently formed band out of the University of Vermont. Each member is a current student within the music department. Although new to the scene, The Sepia Tones have quickly become popular on the University of Vermont's campus performing a repertoire that ranges from a straight jazz, blues, funk, and originals. With the idea of resorting back to a nostalgic sound influenced by many classic artists, their name refers to an old time photograph as if it were taken out of the past. Brian Reid takes care of the drums; Samuél Lopez-Barrantes plays keyboard and sings; Aaron Lopez-Barrantes plays the guitar and sings; McCrae Hathaway plays the bass; and last but not least Brendan Dempsey plays the Saxophone. They are quickly getting in the mix in the Burlington scene, and look forward to continue playing out.