Though they’ve had eight years to refine their sound and vision, Murder By Death rolled out of the gates fully realized in 2000, playing a blend of rocking Americana noir and dramatic post-punk that erased old style and audience boundaries as much as it tested the limits of new ones. And with their fourth album and Vagrant debut, Red Of Tooth And Claw (3/4/08), the Bloomington, Indiana, quartet are emerging as true artists in the zero-boundary sense: cinematic storytellers whose albums come together in an essential whole, and players whose jaw-dropping performances on record make you yearn for the chance to experience their energy up close and in person.

Hailing from a horse farm along the banks of the mighty Mississippi River, William Elliott Whitmore has developed an intense love and spiritual understanding of the land, which he flawlessly conveys through all of his records.

With live performances of a caliber to leave one completely stunned in silence, and albums full of songs not only from the heart but also from the heartland, William Elliott Whitmore is one of the most interesting contributions to today's diverse collection of musical ingenuity.