Grace Potter's Grand Point North Festival
Old Crow Medicine Show, The Wood Brothers, The Record Company, Basia Bulat, Eliza Hardy Jones, And the Kids, Steady Betty, Iron Eyes Cody
Sun, Sep 18, 2016
Doors: 2:00 pm / Show: 2:15 pm
Waterfront Park Burlington
Sunday Single Day Day Of Show Pass $64 |
This event is all ages
The Higher Ground Box Office in South Burlington will be closed on SUNDAY 9/18/16. Tickets are available for purchase at the gates on the waterfront from 11AM on.
Children 12 and under are FREE! Glass, pets, outside alcohol, blankets, and coolers are all prohibited. All events are rain or shine. All dates, acts, and ticket prices subject to change without notice. Presented by 104.7 The Point.
VIP Passes include the following: early entry to the festival; VIP viewing area at the sound board, commemorative VIP laminate; festival poster signed by Grace Potter; and VIP tent with discounted beverages and light food provided.http://www.highergroundmusic.com/event/1091219/
Heralded as one of today’s best live performers, Grace Potter has played every major music festival from Coachella and
Lollapalooza to Bonnaroo and Rock in Rio. She’s had the honor of sharing the stage with artists such as The Rolling Stones, Willie Nelson, Robert Plant, the Allman Brothers, Neil Young, Mavis Staples, and The Roots to name just a
few. Most recently, she was given the honor of performing, along with Sheryl Crow, a tribute to the late Glenn Frey at the
Rock and Roll Hall of Fame induction ceremony. For an artist who has built a devoted fan base through her electrifying live show, Potter seems hell-bent on breaking out of the box when it comes to studio work. She refuses to be defined by a single genre. Over the last three years, she has seamlessly transitioned from collaborating with the Flaming Lips for a Tim
Burton film, to songwriting and producing for soundtracks and theme songs for film and TV, to multi-platinum, Grammy nominated country duets with her friend Kenny Chesney, to most recently joining The Rolling Stones on stage for an inspired rendition of “Gimme Shelter.”
In late 2015, at the invitation of The First Lady, Michelle Obama, and TV host Conan O’Brien, Grace performed for the troops in Qatar (where she was joined on stage by the guitar-playing O’Brien). In the fall of 2015, Grace was honored with the Governor’s Award for Excellence in the Arts, her home state of Vermont’s highest honor in the creative sector. Earlier in 2015 Potter received the ASCAP Harry Chapin Vanguard Award by WhyHunger honoring her for her work with several charitable organizations. On August 14th, 2015, Grace released her critically acclaimed solo album, Midnight, to a #17 debut on the Billboard 200 chart.
Midnight was recorded and mixed at Barefoot Studios in Hollywood, CA, with producer Eric Valentine. The core studio band consisted of Potter and Valentine on most of the instruments, with Matt Burr on drums and percussion. Additional contributions came from guitarists Scott Tournet and Benny Yurco and bassist Michael Libramento, as well as former tourmates and friends singer-songwriter Rayland Baxter, Audra Mae, Noelle Skaggs of Fitz & the Tantrums, and Nick Oliveri of Queens of the Stone Age.
“This album is about embracing life as it comes at you – with all its unexpected twists and turns,” says Potter. “I’ve experienced a huge amount of growth and change in the past two years - both personal and professional, and it can be overwhelming for an artist to find ways to express that in a vacuum. So I tried to strip away the confines of other people’s
expectations. I started tapping into some of the deep-running themes that have shaped me into the human I’ve become, and as I went deeper and deeper, I found the results to be insanely satisfying.”
Citing Miles Davis, Dylan, the Beatles, Bowie, Blondie and Beck as prime examples, Potter says she is drawn to artists who make sonic leaps from record to record—a notion she has explored throughout her career.
Potter has released four other studio albums through major label Hollywood Records: 2006’s Nothing But The Water, 2007’s This is Somewhere , 2010’s self-titled album and 2012’s The Lion The Beast The Beat, with the latter two both debuting Top 20 in the U.S. In 2010, Potter was featured on Kenny Chesney’s Grammy nominated, platinum-selling hit, “You and Tequila,” and his 2015 hit, “Wild Child,” which also achieved #1 status on the (billboard) Country chart.
The band got its start busking on street corners in New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He immediately invited the band to play at his MerleFest, helping to launch their career. Shortly thereafter the band relocated to Nashville for a residency at the Grand Ole Opry, where they entertained the crowd between shows.
It's been nearly fifteen years since these humble beginnings, and the band has gone on to tour the world, sell over 800,000 albums, become frequent guests on A Prairie Home Companion, and play renowned festivals like Bonnaroo, Coachella, and the Newport Folk Festival.
In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford and Sons, and Edward Sharpe and the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America's vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express.
Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records - O.C.M.S and Big Iron World produced by David Rawlings, and Tennessee Pusher produced by Don Was. In 2012 Old Crow released Carry Me Back, on which they continued to craft classic American roots music while pushing themselves in new directions. The band's newest album, Remedy, released by ATO Records and produced by Ted Hutt represents a new stretch of road in the timeless journey of a rambling string band.
Dubbed "masters of soulful folk" by Paste, The Wood Brothers released their debut studio album, 'Ways Not To Lose,' on Blue Note in 2006. You'd be forgiven at the time for expecting it to be something of a side project. Chris Wood already had legions of devoted fans for his incomparable work as one-third of Medeski, Martin & Wood, while his brother Oliver toured with Tinsley Ellis before releasing a half-dozen albums with his band King Johnson. Almost a decade later and with drummer Jano Rix added as a permanent third member, it's become quite clear that The Wood Brothers is indeed the main act.
'Paradise' follows the bands acclaimed 2013 release 'The Muse,' which was recorded almost entirely live around a tree of microphones in Zac Brown's Southern Ground studio. Hailed previously by the New York Times for their "gripping" vocals and by the LA Times for their "taught musicianship," the live setting proved to be a remarkable showcase for the brothers' live chemistry and charismatic magnetism. Taking a different approach to their sixth studio album, the decision to record in Nashville was no coincidence, as 'Paradise' marks the first album written with the entire band living in Music City.
The rock/roots trio of Chris Vos (guitar, lead vocals, harmonica), Alex Stiff (bass, guitar, vocals) and Marc Cazorla (drums, piano, vocals) has already been hailed by LA Weekly for "making bluesy music that would sound more at home in a sweaty, backwoods Mississippi juke joint," while Time Out Los Angeles has described their sound as "reminiscent of some of the best acts of the '50s and '60s—like if John Lee Hooker and the Stooges had a well-behaved love child."
The comparisons are apt.
"We have been influenced by early electric blues, so some of that influence certainly shows," acknowledges Vos. "But we're just as influenced by bands like the Stones and The Stooges as we are by blues legends like Hooker, Muddy Waters and Jimmy Reed."
Wherever it comes from, Vos, Stiff and Cazorla have clearly come up with a fresh take on classic rock 'n' roll that has proven appeal: Their music, well ahead of a record deal, has been featured in over 30 commercial, film, and television placements including the theatrical trailer for Last Vegas and ads for Coors Light, Subaru, Showtime's Shameless, ABC's Nashville, CBS's CSI: Crime Scene Investigation and a current ad for Miller Lite.
Meanwhile, The Record Company has developed a reputation as a live act worthy of sharing the stage with such top attractions as B.B. King, Grace Potter, Trombone Shorty, Buddy Guy, Charles Bradley, Robert Randolph, The Wood Brothers, Social Distortion, and Blackberry Smoke—with whom they toured the U.K. and Europe. On the strength of two EPs (Superdead, released in 2012, and Feels So Good, in 2013), the band received strong college and Triple A radio format airplay and performed at the Montreal Jazz Festival, Milwaukee's Summerfest, NAPA Valley's Bottlerock, Ottawa Folkfest, the Quebec City International Summer Festival and the Harvest Jazz and Blues Festival.
Bulat was born in Toronto. She grew up listening to her mother's piano students, to Sam Cooke and Stax on the oldies station, later falling in love with Odetta, Stevie Nicks, Sandy Denny and Abner Jay. Although she emerged as part of Ontario's indie folk scene, befriending members of Ohbijou, Timber Timbre and Great Lake Swimmers, her first three records were recorded in Montreal. The first two, 2007's Oh My Darling and 2010's Heart Of My Own, were made with producer Howard Bilerman, an engineer who was then better known for noisy punk-rock albums, while 2013's Juno- and Polaris nominated Tall Tall Shadow was produced with Mark Lawson (The Unicorns, Akron/Family) and Arcade Fire's Tim Kingsbury.
She has lived in Montreal since 2014. She will release a new album, produced by Jim James (My Morning Jacket), in 2016.
The album was recorded and produced by Brian McTear, Nick Krill (Spinto Band/Teen Men), and David Hartley (The War On Drugs/Nightlands). It is strongly rhythmic, with synthesizers and guitars dotting the landscape but never obscuring it. Song structures range from classic pop to avant garde.
2016 will find Eliza debuting her solo project as a full live band, with shows in Philadelphia and beyond, with collaborators from the album and with new faces. She is excited to share the world she has created.
But as friendships evolve from adolescence to young adulthood, sometimes the lines between friends, lovers and all that comes in between can grow murky. On the Northampton, MA-based band's latest, Friends Share Lovers (out June 3rd on Signature Sounds), And The Kids examines blurred boundaries in close-knit relationships.
"The friends we grew up with were troublemakers, lost souls, dropouts, and mother figures," says And The Kids guitarist and vocalist Hannah Mohan. "The title references the incestuousness of friend groups and how things get messy."
And The Kids channel existential crises into pop euphoria. With this sleight of hand, the quartet manages to conjure chunky indie rock, blissful new wave, chamber folk, jarring avant-garde, and brawny classic rock. Mohan navigates this expansive creativity with aplomb. Effortlessly she swoops heavenly for high tones, digs deep for swaggering rock n' roll low tones, and manages to mash up sweet sass with new wave bliss for a vocal feel that masks sage wisdom beneath sweet innocence. In addition to Mohan, And The Kids is Rebecca Lasaponaro on drums, Megan Miller on synthesizers and percussion, and bassist Taliana Katz.
The quartet's beginnings couldn't be better scripted: Mohan and Lasaponaro met in band class in seventh grade. A few years later, the duo dropped out of school and found themselves at a learning center that provided them with a free rehearsal space. There they practiced everyday, inspired by such diverse artists as Modest Mouse, Rilo Kiley, The Doors, and The Police, among others.
Those formative moments in friendship and music have been everlasting. In 2012, the fledging duo met Meghan when the three were interns at the Institute for the Musical Arts in Goshen, MA, and soon after welcomed her into the band. Recently, Miller has battled visa problems as a Canadian citizen and has been forced out of the United States for five years. To show the strength of their bonds as friends and artists, And The Kids chose to record Friends Share Lovers in Montreal so that Miller could participate. Recently, the trio added bassist Taliana Katz, a close and trusted friend who also attended IMA, to maintain a full sound live in Miller's forced absence from American touring.
For four years, And The Kids has worked tirelessly to nurture its artistic vision and finesse its live performances. The band has gone from basement shows, open mics, and gigs at pizza joints to becoming an "on the verge" artist. And The Kids has released two EPs, two full-length records, and shared the stage with Rubblebucket, Sallie Ford, Lake Street Dive and Mother Falcon. Recent and upcoming live performance highlights include SXSW and a tour with Ra Ra Riot and PWR BTTM. The band will head out on a headlining tour in June bookended by summer festival dates. Along the way, And The Kids has garnered acclaim from NPR Music, The Wall Street Journal, and The Boston Globe, among many others. Indie tastemakers Pitchfork enthuse: "And the Kids are among the Western Mass. indie scene's brightest creative lights."
Friends Share Lovers is an epiphanic entry in the band's catalog as it showcases the group's roiling emotionality in wider artistic palette settings. This album explores the power of sound sculpting with studio effects like reverb, majestic keyboard passages, and stacks of pillowy vocal harmonies.
Ironically, the songs on Friends Share Lovers began as compact compositions with spare instrumentation. With keyboardist and percussionist Miller stranded in Canada, Mohan and Lasaponaro workshopped their new material as a duo. But, when it came time to record, they chose Canada as a show of solidarity to their bandmate Miller. With Miller on board and their sights set on Canada, they tapped producer Jace Lasek, a member of The Besnard Lakes who has produced albums from Suuns and Land of Talk, and has mixed and recorded for Wolf Parade, Sunset Rubdown and Patrick Watson. Lasek came on as a co-producer, collaborating with And The Kids and helping the band realize its sonic aesthetic on the album.
Friends Share Lovers bursts forth with the pent-up emotionality of the opening track, aptly titled "Kick Rocks." Here drum climaxes interlock with hypnotic harmony vocals, building a tension that crashes like a wave cresting, leaving in its wake glassy flowing melodies. The thematic thread of relationships imbues the new wave elegance of "Friends Share Lovers" and "I Can't Tell What The Time Is Telling Me." The title track evokes a Smiths-like juxtaposition of balmy musicality set against poetic turmoil as Mohan wrestles with the complexities of a friendship sliding into a romance. The stunning "I Can't Tell What The Time Is Telling Me" envelops the listener with chiming guitars, oceanic synth textures, and sidesteps into classical melodic motifs. "That track is about getting through tough times with a new partner. It's about being true to yourself after you've fallen in love," Mohan explains.
Closing the album is the ethereal "Pennies, Rice." It's a meditative track that rolls out slowly with measured grace. In some ways, it's something of a conceptual centerpiece. "This track is about having all the freedom in the world, but the only thing holding you back is your indecisiveness," Mohan reveals.
Friends Share Lovers is that pivotal release, the follow up to a well-received album from a promising young band. The new album showcases And The Kids' considerable powers manifesting into a triumphant record that justifies the earlier praise. However, for the members of And The Kids, the impact that matters the most to them is the bonds they make with their audience. To that end, Mohan says: "What's been most meaningful is realizing what a big influence a small band can have. We see women at the shows who say they want to play music and that we inspired them to do what they love."
Vocalist Miriam Bernardo
Caroline O'Connor bass
Rachel Capobianco drums
Emily Ryan alto sax
Allison Frazier bari sax
Margot Van Horne trumpet
Zoe Harris alto sax
We are excited to announce a special guest on guitar sitting in for Linda Bassick, Viva DeConcini from NYC, has played in "Beat The Donkey" and "Viva!"
Unfortunately due to immigration issues, Royal Canoe will no longer be able to do this show. The band have toured the USA on year-long P2 visas for the past four years. Their current application was submitted with a generous amount of time above and beyond the recommended maximum. But at this time, Homeland Security is experiencing unprecedented backlogs. Many Canadian artists have been affected. Wait times are almost doubled. The band pursued every means possible via US consulates, the Premiere of Manitoba's office, the Canadian Ambassador to the US' office and letters to congress. Unfortunately the backlog is so great that even government requests for expedition are being denied at this time. Apologies for the inconvenience this causes.
Waterfront Park Burlington
Burlington, VT, 05401