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Restlessness is at the heart of Whitney’s resonant and stunning sophomore album Forever Turned Around. As Julien Ehrlich and Max Kakacek realized over the past three years, life can change drastically. Priorities shift, relationships evolve, home can become far away, and even when luck momentarily works out, there’s still that underlying search for something better.
While the success of their 2016 debut Light Upon The Lake uprooted them away from Chicago to seemingly endless tours across the world, Ehrlich’s and Kakacek’s partnership only strengthened. “Our friendship has kept us going even though so much has happened in the years since we started the band,” says Ehrlich. Their bond has been the one constant as they’ve weathered the transitional period of their mid-twenties, supporting each other through bouts of heartache, loss, and uncertainty. But lately, as they’ve found home through themselves, their romantic relationships, and their friends, there’s an uneasiness that comes from stability. When Ehrlich sings on “Valleys (My Love),” “There’s fire burning in the trees / Maybe life is the way it seems” it’s a mission statement of the existential questions raised throughout.
This is what Forever Turned Around grapples with: the anxiety and acceptance that time is limited. Across 10 songs, Ehrlich and Kakacek skeptically yet masterfully navigate questions of mortality, doubt, love, and friendship in a grander scope than they’ve attempted before. It’s an album about partnership — romantic, familial and communal, but most importantly a love in friendship: the bonds between two best friends and creative partners and the joy and stress that comes with it. As Ehrlich sings on “Used To Be Lonely:” ‘Well it made no sense at all / Until you came along.” It tackles the blissful confusion that comes from seeing the way things unexpectedly change over time.
Forever Turned Around came together over several sessions across the country with its earliest material written during tour dates in Lisbon, Portugal. Though Ehrlich is Whitney’s lead singing drummer while Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. “The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, ‘What can we change to make it more interesting?’” says Kakacek. Challenging each other is the core of their songwriting partnership. “A big thing for us is our ability to take criticism. We're always open to new ideas. We approach it where we try to stretch a new idea as far as it can go,” adds Kakacek.
Forever Turned Around is an album about relationships. It deals with how they evolve or flounder and how loneliness can creep in unexpectedly. Penultimate track “Friend of Mine” captures this sentiment beautifully. The emotional centerpiece of the album, it builds to a crescendo during the chorus with Ehrlich singing of an old acquaintance,”While you’re drifting away / Like a cloud hanging over the pines.” Happiness can be fleeting but this album proves that even when it feels like time is turning on its head and there’s either a moment of clarity or crippling doubt, there’s still beauty in figuring it all out.
Official Website http://www.whitneytheband.com
Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time.Two years later, Hand Habits has returned with their sophomorealbum, placeholder, due out March 1st on Saddle Creek. To make this album,Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This albumis as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings —carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery.
Official Website https://handhabits.bandcamp.com/
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